Strange Tales 2026 Summer Festival Preview Looking ahead to my coverage of Japan Cuts, the NYAFF, and Fantasia
Sode Yukiko All the Lovers in the Night (Sode Yukiko, 2026) This review appeared in somewhat different form as part of the Cannes coverage at InReview Online. Sode Yukiko’s slice-of-life epic clocks in at just under two and a half hours, but feels more alive than that daunting runtime may suggest. Centered on an extremely shy woman who
Timo Tjahjanto The Shadow Strays (Timo Tjahjanto, 2024) Originally published in a slightly different form over at InReview Online in September 2024. We truly are in a golden age of action cinema. From every corner of the globe, with budgets high, low, and in-between, remarkably fit men and women are beating the hell out of each other
Strange Tales What to Watch After You've Watched The Furious (Or Before, That's Perfectly Fine Too) A user's guide to the artists behind the year's hottest action movie
Paid-members only Strange Tales Further thoughts on Kill Bill, The RZA, Keanu Reeves, The Wachowskis, and Multiculturalism in Early 2000s Hollywood Genre Cinema
Devils on the Doorstep First Look: I Fell in Love with a Z-Grade Director in Brooklyn and Morte Cucina Reviews of a pair of films from the 2026 First Look Festival
Devils on the Doorstep The Forbidden City (Gabriele Mainetti, 2025) and Bushido (Shiraishi Kazuya, 2024) Two films newly released in the US with different approaches to mixing high and low genre elements.
Paid-members only Contemporary Chinese (Streaming) Cinema The Return of Contemporary Chinese (Streaming) Cinema and The Revenge of the Raquel Report
Louis Koo Back to the Past (Jack Lai and Ng Yuen Fai, 2026) Louis Koo follows up on his breakthrough TV series 20 years later.
Paid-members only Misumi Kenji Liquid Swords in the Age of ICE, or Parenting Tips from the Lone Wolf and Cub
Paid-members only Contemporary Chinese (Streaming) Cinema The Shadow's Edge (Larry Yang, 2025) and The Sixth Robber (Chris Huo, 2025)
Oshii Mamoru Angel's Egg and The Red Spectacles (Oshii Mamoru, 1985 & 1987) Two restorations of Oshii classics are in theatres now