Sean Gilman

A film critic in Tacoma, Washington. Bylines at The Criterion Collection, the Mubi Notebook, Frame.land, InReview Online, Seattle Screen Scene and more.

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Miyake Sho

Two Seasons, Two Strangers (Miyake Sho, 2025)

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Sakamoto Yugo

Nemurubaka (Sakamoto Yugo, 2025)

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Benny Chan

A Moment of Romance (Benny Chan, 1990)

Devils on the Doorstep

The Forbidden City (Gabriele Mainetti, 2025) and Bushido (Shiraishi Kazuya, 2024)

Two films newly released in the US with different approaches to mixing high and low genre elements.

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Contemporary Chinese (Streaming) Cinema

The Return of Contemporary Chinese (Streaming) Cinema and The Revenge of the Raquel Report

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Yuen Woo-ping

Blades of the Guardians (Yuen Woo-ping, 2026)

Strange Tales

IFFR 2026

Reviews from the 2026 edition of the Rotterdam International Film Festival

Louis Koo

Back to the Past (Jack Lai and Ng Yuen Fai, 2026)

Louis Koo follows up on his breakthrough TV series 20 years later.

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Clara Law

Clara Law's Immigrant Songs

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Akimoto Kenichiro

All You Need Is Kill (Akimoto Kenichiro, 2025)

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Misumi Kenji

Liquid Swords in the Age of ICE, or Parenting Tips from the Lone Wolf and Cub

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Contemporary Chinese (Streaming) Cinema

The Shadow's Edge (Larry Yang, 2025) and The Sixth Robber (Chris Huo, 2025)

Oshii Mamoru

Angel's Egg and The Red Spectacles (Oshii Mamoru, 1985 & 1987)

Two restorations of Oshii classics are in theatres now

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Herman Yau

A Gilded Game (Herman Yau, 2025)

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Devils on the Doorstep

Glass Heart (Goto Kotaro and Kakimoto Kensaku, 2025) & CITY the Animation (Ishidate Taichi, 2025)

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The Spooky Bunch

Evil Cat (Dennis Yu, 1987) and The Cat (Lam Nai-choi, 1992)

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Sakamoto Yugo

Baby Assassins Everyday! (Sakamoto Yugo, 2024)

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Ernesto Díaz Espinoza

Affinity (Brandon Slagle, 2025) and Diablo (Ernesto Díaz Espinoza, 2025)

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Mariko Tetsuya

Dear Stranger (Mariko Tetsuya, 2025)

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Louis Mandylor

Prisoner of War (Louis Mandylor, 2025)

Tan Siyou

Amoeba (Tan Siyou, 2025)

Director Tan Siyou’s debut film Amoeba makes a fitting companion to Yamashita Nobuhiro’s Linda Linda Linda, which I wrote about in this space a week ago. Both films concern the coming of age of young high school aged women who filter their varied teen experiences through the media

Yamashita Nobuhiro

Linda Linda Linda (Yamashita Nobuhiro, 2005)

Yesterday was the first day of school for my kids, which I would suggest should be a national holiday for stay-at-home parents, but then, there wouldn’t be school on a national holiday and that would defeat the purpose. I celebrated in the usual way: watching Linda Linda Linda, a

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Guan Hu

Dongji Rescue (Guan Hu & Fei Zhenxiang, 2025)

Strange Tales

Fantasia Festival 2025

Reviews of Rewrite, Honeko Akabane's Bodyguards, Holy Night: Demon Hunters, and Sham

Strange Tales

NYAFF 2025 Part Two

Reviews of Muromachi Outsiders (aka Samurai Fury), Deep in the Mountains, The Informant, and The Stone.