Wong Kar-wai - The Chinese Cinema

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Wong Kar-wai

A collection of 4 posts

Final Victory (Patrick Tam, 1987)

Final Victory (Patrick Tam, 1987)

A pair of eyes stare at us from under a green bowler hat. Then Eric Tsang looking uncomfortable, also facing us. Back to the hat, now revealing the whole face under it, that of Tsui Hark: pale, bearded, and glaring. Back to Eric Tsang, scared perhaps by Tsui, perhaps by

Wong Kar-wai Capsule Reviews

Wong Kar-wai Capsule Reviews

Chungking Express (1994) — April 1, 2014 “Where do you want to go?” “Doesn’t matter. Wherever you want to take me.” “It’s still a very emotional towel.” Ashes of Time (1994) — February 25, 2016 Dug out the original, pre-Redux version. Having seen this in its two forms a total

Ashes of Time (Redux) (Wong Kar-wai, 1994)

Ashes of Time (Redux) (Wong Kar-wai, 1994)

As with My Blueberry Nights and 2046, a person trying to escape their own past romantic disappointments becomes witness to the stories of other people, and thus learns to cope with their own issues. Like Chow Mo-wan in In the Mood for Love, Ouyang Feng (Leslie Cheung) has lost the

Days of Being Wild (Wong Kar-wai, 1990)

Days of Being Wild (Wong Kar-wai, 1990)

Wong Kar-wai’s second feature is, I think, one of the great films about the post-war generation and the lingering effects the war had on their psyches and their visions of the world. Set in 1960, the main characters would have all been born in the mid to late 30s,