Jia Zhangke - The Chinese Cinema

The Chinese Cinema

Sign in Subscribe

Jia Zhangke

A collection of 5 posts

2024 Festival Compilation

2024 Festival Compilation

As I've done for the last couple of years, here is a collection of the reviews I wrote this year for InReview Online's coverage of various film festivals from around the world (Rotterdam, Cannes, the New York Asian Film Festival, Venice, Toronto, and the New York

Art College 1994 (Liu Jian, 2023)

Art College 1994 (Liu Jian, 2023)

I wrote about Liu Jian’s Have a Nice Day back when it played the Seattle International Film Festival in 2017. Thanks to SIFF’s arcane embargo policies, I was limited to exactly 75 words. Here they are: The second feature from director Liu Jian is an animated network-noir that

Notes on Filmspotting’s Contemporary Chinese Cinema Marathon

Notes on Filmspotting’s Contemporary Chinese Cinema Marathon

A few weeks ago, Adam and Josh at the Filmspotting [https://www.filmspotting.net/] podcast invited me to help curate a selection of 2010s Chinese-language movies for them to talk about on their show. I was more than happy to help, as I’ve been a fan of the show

Jia Zhangke Capsule Reviews

Jia Zhangke Capsule Reviews

Xiao Shan Going Home (1995) — January 22, 2019 Soul Asylum! Crash Test Dummies! Man, 1995 was everywhere in 1995. Xiao Wu (1997) — April 1, 2014 Jia Zhangke’s first full-length film is one of his more conventional, but like last year’s A Touch of Sin, Jia in genre mode

Mountains May Depart (Jia Zhangke, 2015)

Mountains May Depart (Jia Zhangke, 2015)

Jia Zhangke’s Mountains May Depart is one of the more polarizing films of the year. It marks a radical shift in Jia’s formal technique, abandoning the long-shot/long-take aesthetic that has made him one of the preeminent examples of 21st Century Asian Minimalism. Instead, working with his longtime