Jacky Cheung - The Chinese Cinema

The Chinese Cinema

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Jacky Cheung

A collection of 6 posts

High Risk (Wong Jing, 1995)

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High Risk (Wong Jing, 1995)

The Tiger Cage Trilogy (Yuen Woo-ping, 1988-1991)

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The Tiger Cage Trilogy (Yuen Woo-ping, 1988-1991)

The Eighth Happiness (Johnnie To, 1988)

The Eighth Happiness (Johnnie To, 1988)

Following up on the Cinema City romantic comedy Seven Years Itch, To re-teamed with producer-writer-star (not necessarily in that order) Raymond Wong Bak-Ming for an ensemble film designed for release during the Lunar New Year holiday, a week-long (more or less) celebration that is the highlight of the Hong Kong

Golden Chicken 2 (Samson Chiu, 2003)

Golden Chicken 2 (Samson Chiu, 2003)

The first Golden Chicken filtered 30 years of Hong Kong history through the life of one ridiculous prostitute and dared you not to be moved by her. Samson Chiu’s sequel, released one year later, tries the same trick, but with 30 years of Hong Kong cinema instead, most specifically

Ashes of Time (Redux) (Wong Kar-wai, 1994)

Ashes of Time (Redux) (Wong Kar-wai, 1994)

As with My Blueberry Nights and 2046, a person trying to escape their own past romantic disappointments becomes witness to the stories of other people, and thus learns to cope with their own issues. Like Chow Mo-wan in In the Mood for Love, Ouyang Feng (Leslie Cheung) has lost the

Days of Being Wild (Wong Kar-wai, 1990)

Days of Being Wild (Wong Kar-wai, 1990)

Wong Kar-wai’s second feature is, I think, one of the great films about the post-war generation and the lingering effects the war had on their psyches and their visions of the world. Set in 1960, the main characters would have all been born in the mid to late 30s,